Welcome to my catalogue of books. I have published 10 in total. One is a collection of the first 3, and another is prose not poetry. It is a memoir. In my poetry books, there are biographical collections, collections of fiction, and a philosophy-poetry collection on the subjects of Existentialism and the Myth of Sisyphus, which I can't let go, and both subjects appear in recent work. You will find the links to these books will send you straight to its Amazon page, or use the above bar to navigate to my Amazon Author Page.
I hope you feel moved by my work, in a good way. If you like, I would appreciate a review, or any, within reason, comments here on my site.
Enjoy perusing the collections.
What is Dopamine of Destruction?
This is poetry examining and articulating loneliness, interrogating anxiety, and even inquiring into masculinity. Opening with self-indictment and then expanding outward, concluding with comments, poetic and otherwise, of one of the author's favourite themes, Absurdism, with thoughts on both Kafka and Camus’ works.
What is Percevity?
Percevity is M Renae Dubois' latest collection of poems that relate to individual perception.
Does M Renae Dubois use AI for her work? Renae absolutely does not use AI for writing, editing, collating or advertising. She has written about some issues of AI, though. Two poems deal directly with humans' relationship with AI and its insidious but addictive influence are contained in Percevity. She has coined the term i-entity to describe AI, and has included a poem on Heidegger's Dasein, an interestingly connected concept.
What is An Encounter : Poetry, Existentialism?
An Encounter: Poetry, Existentialism is a dialectical discussion and occasional disagreement in poetic form with Jean-Paul Sartre and Albert Camus.
Are there any fresh insights in the subject of Existentialism in the modern day?
M Renae Dubois is adding to discussions on Existentialism, Absurdism, and Phenomenology, through her enclosed works on Essence vs Experience, Camus' various Suicides, and she has introduced a fresh, curiously unconsidered perspective on the well-known myth of Sisyphus and his mighty boulder and daily grind.
What is Crosschairs?
Crosschairs is the first complete work of M Renae Dubois that expands her range beyond her own immediate experiences; in it she writes poetry that is fiction, albeit some is derived from her personal experiences. There is humour in some of the work, and a little pain.
Does Renae talk about the sex industry in Crosschairs?
Briefly.
What is Wreck : A Reckoning?
Wreck : A Reckoning is a book about beauty and self-love. It strongly relates to the perceptions of what would be an 'ideal' sex worker attractiveness. It is a beautiful, stark, and considered poetry book about self-perception and beauty from the experience of working in the sex industry, and navigating self-perception and external measures. It is a sad subject, and it is clear the author feels sad, but it's not a sad book.
Does M Renae Dubois have an autobiography?
Curses of Verses : A Composite is the collection of M Renae Dubois' first 3 books: Head Injury Pros and Cons (originally titled Curses of Verses: A Head Injury Tale), Utterly: A Biography in Verse, and Coy Candour. It is a testament to her recovery arc, technical skill development, and the proof of the philosophy later discovered and discussed in An Encounter : Poetry, Existentialism.
Will M Renae Dubois keep writing biographical poetry?
Wreck : A Reckoning is a later addition to M Renae Dubois' biographical material, and recontextualises her experiences somewhat, ultimately adding depth to the story. Renae expects she may be recontextualising and hopefully discovering depth till her end of days.
What is BPD : A Memoir?
M Renae Dubois has stepped outside her usual realm of poetry in this compelling non-poetry autobiography, beginning in her early years and continuing up to receiving compensation for her head injury, and finally receiving treatment. It is harsh sometimes, but a remarkable time capsule, as it was only recently discovered since being written and abandoned in 2004